Showing posts with label autumn leaves. Show all posts
Showing posts with label autumn leaves. Show all posts

Friday, April 12, 2019

Looking Back on my First Craft Show

Wow! What an incredible—and exhausting—experience! Last weekend I showed my Shades of Autumn (leaf-covered lampshades) for the very first time at what's arguably the best craft show of them all, the American Craft Show.

I have new respect for my fellow artisans, not just for the near perfection of their craft, but also for the amount of organization and sheer work it takes to display it so elegantly. Many of them take on several of these shows a year.


 What I hope for is some good ol' word-of-mouth.

It takes a toll on an introvert like me having to be up and "out there" for a total of 27 hours over three-and-a-half days. But the rewards made it all well worthwhile: humbling praise from visitors; camaraderie with fellow exhibitors; practice with my "elevator pitch," and a few important lessons learned for future exhibitions.

Actual sales? Fewer than I'd hoped for, but exactly what I'd expected. Several visitors promised to send me their lamp dimensions for custom orders. And I'm told exhibitors are often contacted by folks who simply needed some time and inspiration before buying.

As for the future, I'd be honored to be asked back to the ACC show next year. And I'll consider other exhibitions—possible shows attracting vacation home and cabin owners. And I'll make sure my on-line presence gains some prominence.

Of course, as an introvert - both in person and virtually - what I really hope for is some good ol' word-of-mouth. And that's where you come in...

Thanks! (And if you'd like to learn more about my new occupation and see examples of my work check out my website: Shades of Autumn.)



 
 

Tuesday, April 2, 2019

Craft Show Update


Well, it's finally here; the American Craft Council's St. Paul show is this weekend. After five months of intensive work — collecting and processing leaves; producing a range of lampshades to display; creating and producing my Shades of Autumn graphics and collateral material; and designing and outfitting my booth — I think I'm ready to let go and truly enjoy this amazing experience.

If you're in the Twin Cities Metro, I hope you'll come and enjoy all the extraordinary crafts at this awesome show. And while you're there stop by my booth to say hello and see what I've been up to all this time.

MY BOOTH IS #812

Regular show dates are Apr. 5-7 (Friday through Sunday), with a special preview event the evening of Thurs., Apr. 4.

As friends of an exhibitor, you can get half-price tickets here: (This promo includes only pre-show on-line purchases and will not be honored at RiverCentre, the event venue, once the show starts.)

EVENTBRIGHT   Use promotional code MSP2019GUEST

Friday, November 9, 2018

BEAR WITH ME...

Those of you who’ve followed my ramblings here on One Man’s Wonder and my travel blog, El Viajero Contento during the past few years know I’ve embarked on a new wonder-based enterprise: Shades of Autumn – lampshades handcrafted from pressed autumn leaves.

My work’s been accepted for the big, juried American Craft Council Craft Show in St. Paul in April, so I’m going to be busy, designing and producing enough shades to exhibit a range of styles—not to mention creating an elegant booth and all my promotional materials.

So-o-o-o, I’m afraid I’m going to have to take a hiatus from blogging for a while to focus on that project. Thank you for your loyal following! I’ll be checking in from time to time to field any comments on past posts. And you can always follow my comings and goings on my Facebook page.

If you’d like to see my lampshades, here are a few. More will be on display on my Shades of Autumn website, due to be up and running in early 2019. And please, if you're in the Twin Cities area this coming April, stop by my booth at the American Craft Council Craft Show taking place at RiverCenter in St. Paul, April 5-7, 2019. Hope to see you there!


Monday, October 28, 2013

GINKGO – Living Fossil, Esthetic Wonder

LAPPING ELEGANCE
I first came to appreciate ginkgo (ginkgo biloba) trees about 20 years ago when I was collecting fallen autumn leaves for a craft project. I was using pressed leaves to create gorgeous lampshades. Since I placed them not just as scattered elements on the shades, but as a solid field of color and texture, I had to factor into my designs how the leaves’ shapes worked when repeated in a continuous pattern.

Most challenging were the highly irregular, lobed leaves like oak and maple; it was nearly impossible to lap one over the next without leaving voids here and there. Considerably easier were the more-or-less round or oval ones, which overlapped in neat lens shapes. And loveliest of all were the ginkgo leaves. Their elegant fan shapes dovetailed nicely in a beautiful, saffron yellow fish-scale pattern.


             I kept looking around for the pasty-
             faced kid who’d just blown lunch. 

Shape and color weren’t the only advantages of ginkgo leaves. Their flat surface was also far easier to glue down to the shade’s styrene substrate than most leaves, whose prominent veins interfere.

Of course, gaining this kind of intimacy with ginkgo leaves soon made me more aware of the tree than ever. I began looking for them and noticing other wonderful qualities of this ancient, unique species. (Among the oldest of all trees, its leaves are nearly identical to fossilized specimens dating back 270 million years. With no close relatives, ginkgo biloba is the sole survivor of its family.)

U-REEKA!
Sitting on a bench outside of Frank Lloyd Wright’s first home in Oak Park, Illinois, I was nearly overcome by the smell of vomit. I kept looking around for the pasty faced kid who’d just blown lunch.

Seeing no one looking the slightest bit queasy, I looked down and noticed the brownish-yellow, grape-sized fruit (technically seeds) that had fallen from the big old ginkgo tree spreading over us. I reached down and picked up one that had been partially squashed under someone’s foot and smelled it. E-e-e-w! That was it all right. (Turns out ginkgo fruit is full of butyric acid, the same substance released when butter goes rancid.)


   In China, where it is the national tree, ginkgo 
   is revered as a symbol of longevity and vitality.

Later that fall, I noticed that nearly all the trees the city of Minneapolis has planted along some blocks to replace the decimated American elm are ginkgoes. As I collected the most perfect of their leaves for my lampshades, I noticed that one or two of the trees on each block was dropping fruit.

Come to learn that there are male and female ginkgo trees, and that, while city foresters try to plant just the non-fruiting males, apparently distinguishing between them is not easy. So I always watch my step in late summer and fall.

Another unique property of ginkgo biloba is the way it branches—or should I say doesn’t branch. Just as the leaves lack the continuously-branching vein network of other leaves, so the branches seem to spurn the sequential branching so common in other trees. Most of ginkgo’s branches depart from the trunk and simply reach straight out, sprouting nothing but leaves to the very tip.


CURE OR CROCK?
Ginkgo biloba is well known for its purported medicinal qualities. In China, where it is the national tree, ginkgo is revered as a symbol of longevity and vitality. It is used there and around the world to treat respiratory issues, incontinence, indigestion, intestinal worms, gonorrhea, poor circulation, depression, dementia and inner ear problems, among other ailments.

While some studies have supported its effectiveness, many have debunked it. So I suppose one could say that, at the very least, it is as good a placebo as any other. And, since I depend on ginkgo for nothing more than its considerable esthetic qualities, I can say that, in that regard, its potency is undisputed.


Tuesday, September 13, 2011

HOW TO BE IN THE MOMENT – 101 Little Tips

 TIP #65
Celebrate your own footsteps.

A whisper through crispy autumn leaves; the earnest crunch of dried acorns; the thin chatter of a kicked pebble.

Though they bear the weight of the world, let your feet proclaim their joy…not just in getting somewhere, but in the going.

Tuesday, October 5, 2010

WHEN AUTUMN LEAVES...

When autumn leaves... You know the rest of the lyric, from that great old standard about the melancholy of this season. I feel it in my bones, as the sights, sounds and smells of another summer curl up to hibernate in the cozy corners of memory; as green, blue, violet and rose dial down to sleep mode; and as daylight—especially those glorious after-dinner hours—is borrowed for the enjoyment of those on the other side of Earth.

Yeah, I feel the melancholy, but I don't let it get me down. I figure I can either curse the darkness or turn on my light. For me, as those of you who know me can attest, that's a no-brainer.


What could be more emblematic of this season than falling leaves? What a perfect metaphor for the swirling, sinking emotions of autumn! Like summer's profusion of life, they shrivel and fall and die. Yet they do so with such exuberance, such flamboyance, that we can't help but be moved by their promise of renewal.

I often wonder what someone from a place where trees don't turn would think of seeing, for the first time, a stand of sugar maples in their full fall glory. Don't you think it would be every bit as exotic as when we northerners witness the lavish colors and forms of a Caribbean coral reef for the first time? (Probably even more so, since reefs are finding it harder and harder to renew themselves.)

We of the northern deciduous forests are used to thinking of autumn leaves as a sort of commodity—a mass of stuff more than a community of individuals. We o-ooh and ah-h-h at the broad brush of color they apply to the landscape. We rake them into piles, like so much soil or snow, to be disposed of, or, one would hope, composted. If we're smart, we play in them.

They shrivel and fall and die, yet with such exuberance, such flamboyance, that we can't help but be moved by their promise of renewal.

But take a moment to pick up a single, brightly colored leaf and look at it. Notice how different the two sides are. One, obviously its face, is smoother, brighter, often even glossy. The other side, like the ceiling in an old home's basement, is where the plumbing is. See how the veins stick up on this side, how muted the color is? Nature, with her usual economy of design, knows perfectly well that both beauty and function have their places.

Hold the leaf up to the sun. Notice how the color catches fire. Is it the same color you observed in just reflected light? (Some leaves might surprise you—like grape leaves just before they turn, which may be a dusty gray green on their back side, but engorge with a rich, deep maroon when back-lit.)

Once in a great while you'll find the skeleton of a leaf. You'd expect them to have crinkled and broken, lost their shapes and gotten ground up by machines or feet or microbes. But occasionally you can find one—as worthy a prize as a four-leaf clover or a sand dollar—that's lost all its skin, but none of its "bones." You appreciate, then, a leaf's amazing structure. Like ever-finer lace, its arteries, veins and capillaries reveal how they've given the whole organ not only its sustenance, but its structure.

There's so much to be discovered about autumn. So, if you feel your heart growing heavy at the prospects of another long, cold, dark winter, now you know what to do. Move to Mexico? No, just turn over a new leaf.