CALLS TO THE OTHER SIDE - In Touch With the Mystical

It started with that old tin-cans-and-string “walkie-talkie” sham. I wanted it to work so badly that it never dawned on me that I was simply hearing my little buddies’ voices through the air.

Technology wasn’t advancing all that fast back then. So when an ad for what sounded like a real walkie talkie appeared in Boys Life, I had to have one. Now I could actually talk with someone I couldn’t hear otherwise—as long as we were no further apart than the length of the 30-foot cord.

Looking back on those precious games, I can now see that they were the genesis of a life-long fascination with communication. Well, not so much the kind you engage in face-to-face—or through a string—but communication that broaches one or more “membranes” of separation: great distances, long periods of time, physical barriers, different environments or mediums. Communication that feels like you've just discovered buried treasure.

    That little Emerson radio might as well
    have been some deep space receiver developed
    by NASA.

TUNING IN
When I was about ten, I discovered a magical thing called “skip,” in which AM radio waves, prevented from dissipating into the atmosphere by the electronically-charged ionosphere, can travel phenomenal distances, especially at night.

I’d sit for hours with my ear pressed against the dark brown Bakelite speaker grill of our old Emerson table radio. I’d start turning the tuning knob and, bypassing the clear, strong stations, listen for the faintest signal I could make out.

The reception was intermittent, fading in and out. My goal was to hear a station break while the signal was strong enough to recognize its location or call letters. (Of course, my chances would spike on the hour and half-hour, when stations are required to give their IDs.)

Those faint voices brought down the walls of my room. That little Emerson radio might as well have been some deep space receiver developed by NASA. How mysterious and satisfying to learn that some of the radio waves had traveled all the way across the country—and even a few from other countries. I imagined them as sheer curtains, undulating through a thousand miles or more of starry skies.

BREAKER, BREAKER
Even more seductive was short-wave radio. One of my friends had a rather elaborate set-up for a kid. With his radio we could not only listen in on distant signals, but actually talk with a real person thousands of miles away.

Much later it was the CB (Citizens Band) radio fad. My boss at the ad agency I worked for in New Hampshire had one in his car. With no real need, he’d just put a shout out to any interstate trucker lonely enough to pick up, and then ask about road conditions and speed traps. This medium, though it couldn’t touch short-wave in its reach, had it beat by a mile in the relatively compact size of its apparatus.

When I enlisted in the Army, as luck would have it, I was assigned to the Army Security Agency. Our top-secret mission was to listen in on our own forces’ communications and report any security violations. To do this, we had to become proficient in Morse code.

I got very good and very fast at transcribing code. My motivation, besides getting let out of class early to go play pinball at the PX, was, I’m sure, this continuing intrigue with otherworldly communication. And the secrecy element, sending and receiving messages in code, just added to the enchantment.

         If the sender hit an X instead of the C,
         that’s exactly what would get typed out
         on the recipient’s paper scroll.

IMMEDIACY
In my late 30s I worked for a manufacturing company here in Minneapolis. One of my job assignments there involved sending and receiving Telex messages with customers around the world. That precursor to email would transmit directly, typewriter to typewriter via telephone, messages the sender pecked out on the machine’s keyboard.

Of course, I thought that was pretty exotic. Part of the immediacy of Telex communication was that messages were received exactly as they were typed, character by character. If the sender screwed up and hit an X instead of the C, that’s exactly what would get typed out on the recipient’s paper scroll.

If technology had been plodding along all those years since my cans-and-string walkie talkie, it hit warp speed with the development of the Internet. Now, with e-mail you could review what you’d typed, make corrections—or let your computer’s spell-check do it for you—add attachments, and send it off in a neat little package. Before long, some people's idea of communicating got distilled to a 140-character "tweet."

Then, along came the cell phone, and one’s window to the world and to all the information ever recorded was reduced to a device the size of a deck of cards. And today, with video conferencing via FaceTime or Zoom, we just take for granted both hearing and seeing the people we’re communicating with in real time.

In this rapidly changing milieu, it’s only a matter of time before the device will evolve to something the size of a pea implanted into one’s brain at birth.

      If there’s something down there in that
      cold, dark, liquid place, it eventually sends  
      you a message through the line.

WIRED TO AN ALIEN WORLD
There are other kinds of communication with mystical qualities. Ones far more tactile than technical, where the message is sent in ways other than words or pictures. For example, during the boyhood summers I spent in Franconia, a little village on the banks of the St. Croix River, I’d dig holes in the ground just to see if I came across some old square nail or pottery shard. I was always on the lookout for Native American flint or chert arrowheads.

I imagine what it must be like working on an archeological team that discovers artifacts of long-since-vanished civilizations. Or on a paleontological dig unearthing bones of creatures that walked the earth millions of years before man.  

Fishing is another example, one I fully and frequently indulge. You throw out a morsel of food that sinks deep into a hidden, alien world, connected to you by a thin filament held between your fingers. Then you wait for the offering to be acknowledged.

If there’s something down there in that cold, dark, liquid place, it eventually sends you a message through the line. Is it a kind of fish you’ve caught a hundred times before or one you’ve never seen? Is it big or small? Is it even a fish at all, or maybe an eel or turtle?


The clues might come in the form of cautious nibblings or a reckless attack. The creature might pull on the line or it might carry the bait toward you, slacking the line. Some fish gingerly gum the bait to see if there’s anything that doesn’t taste or feel right. Some grasp the bait between their lips, run a few feet and drop it—I guess just to see what happens. Others greedily gobble up the bait and run as fast as they can with it, perhaps chased by rivals.

        It's only a matter of time before there'll
        be some kind of teleportation, and the word 
       "virtual" will fade from use.

APOLOGIES
Now I don’t know what the next chapter of my mystical messages kick will look like. It’s hard to imagine what wonders technology will unleash next. Perhaps a way to make distance messaging feel more immediate, more personal.

Long-term, I suppose it's only a matter of time before there'll be some kind of teleportation, and the word "virtual" will fade from use, along with our other apologies for all these little glowing screens. And time travel won't be far behind.

Or just maybe one day we'll see a global cultural epiphany. A realization that our obsession these past few decades with all things faster, farther and slicker, despite its sexiness, has taken a toll. And just maybe that will open a creaky old door behind which ten-year-old kids will once again be mesmerized by digging holes and fishing.

BALKING THE WALK – How I’ve Let My Devotion to Nature Get "Screened" Out

I write about Nature all the time—about its countless wonders, small and large; its wise counsel in ways of patience and knowing; and its many coincidences with my brand of spirituality. I promote closer connections with Nature for everyone, especially children.

But I’m a hypocrite.

I actually don’t spend as much time outdoors as it may seem. Too often, I fall victim to the very temptation I urge others to resist: the lazy cosmopolitanism, the false presence, afforded by digital technology’s instant “connections” with people, places and information.

It started, I’m afraid, with the publication of my first book, Under the Wild Ginger; my publisher told me I had to put myself out there and promote, if not actual sales, at least a point of view that would attract like-minded readers.

              Cyberspace is a wily seductress.

But cyberspace is a wily seductress. At first the allure was something like the one I felt as a boy when, no longer fooled by that old tin-cans-and-string ruse, my fondest wish was for a real walkie- talkie. Or later when I’d spend hours with my ear pressed against the speaker of our tabletop Emerson radio, fine-tuning among the stronger signals and static for distant stations. This communicating beyond the range of my own, unelaborated ear and voice struck me as nothing short of mystical.

ILLUSTRATION: Quint Buchholz

There’s a certain boundless freedom in sending and receiving messages over untold expanses, across geographic, political and cultural boundaries. The same kind I experience during my favorite, recurring dream: being able to fly. It feels like the very essence of spiritual connection, a magical oneness with time and space and all of creation—not to mention its striking awe and envy into every onlooker.

CLAIMING MY VISION
Well, blaming the medium for its abuse is a pretty poor excuse. What first brought this line of reflection to mind for me was my wife’s and my annual sojourn in a lovely seaside town in Guerrero Mexico. Last March, the nice little TV in our villa never once blinked on.

Sure, we spent some time on our devices most days, doing some necessary work, keeping in touch with loved ones, sharing a few photos. But those times were quite limited. And, even when our minds may have been in cyberspace, physically we were still in direct contact with Nature during all our waking hours.

Even inside our villa, where there’s no wall separating us from the view over Zihuatanejo bay, delicious warm breezes waft in day and night, carrying the sounds and smells of the neighborhood and the Pacific Ocean beyond. Critters—ants, butterflies, geckos, bats and the occasional tarantula—become our constant companions. And our relationships with our Mexican friends seldom abide the quick phone call, email, or—God forbid—text. No, more folks there take the time to come calling, to spend a few minutes exchanging pleasantries and just being…well...nice.

         It’s not really the physical walls that are 
         holding me back. It’s the virtual ones.

How quickly such wonders soak into one’s skin; by the end of our stay, we were already taking this sustained communion with Nature, including these unhurried visits with people, for granted. But now, with the singular clarity of hindsight, I know why this annual month in the tropics is so restorative in so many ways.

It’s exactly what I’ve been letting slip away, bit by bit, in my life here in the “real” world: the close presence of Nature in my life every day. Paying attention, not just to a little screen, but to the countless small wonders playing out around me in real time and real space.

Now, I realize it might prove impractical here in Minnesota to remove one side of our urban townhouse and let in the air, light (and mosquitos). And winter…well, come on, this is Minnesota! But I’m thinking it’s not really the physical walls that are holding me back. It’s the virtual ones. I’ve been allowing others—content developers, marketers, fellow screen addicts…whomever—to limit what I can experience, to steer the direction and extent of my vision.

This is not what I want. Is it what you want? Don’t we have our own vision, an outlook which belongs to no one but us? Shouldn’t we be the ones deciding what will surprise and delight us, who will become our next good friend, and, in the thick of this surreal presidential election, what and whom we should fear?

       I must make time for the cure before I 
       can recover the time spent on the disease.

SEEING GENEROUSLY
Now that summer’s just beginning to yield to fall, I aim to reclaim my birthright—the birthright of every human being—my connection, my belonging, to Nature. And the way to start is to, as I like to put it, get off the screen and into the scene. Like surmounting any bad habit, this will require being thoughtful and deliberate, more disciplined in how I spend my time.

What makes it hard is that I must make time for the cure before I can recover the time spent on the disease. For example, if I’m to take a walk every morning, I’ll have to let go of the time I’m wasting on television or the Internet the night before. Or I may have to re-prioritize the short list of friends I correspond with most often, adding Nature to that inner circle.

And I most certainly will have to change my point of view. I must learn to use all my senses, not just taking in the wisdom and beauty of Nature, but giving something to the transaction too. I call it seeing generously.  It’s a mindset in which we stop trying to impose our will and way on Nature and life, instead vesting in them the power to have their way with us.

That is what we do in Mexico when we stop during our daily walks and cool off in accustomed shady spots. It is what I do when I remember to let life astound me—from those little “floaters” that punctuate my vision from the inside, to whatever horizon the weather defines that day, to the stars on a clear night, to the still-further reach of my imagination.

It is what we all must do if we want to reclaim the sacred bond with Nature that originates deep in our bones and so yearns to be honored once again.

FREQUENCY – Tuning In To Discovery

“What are you doing?” my mother asked skeptically. She’d glanced into the living room of our summer home on the St. Croix River and seen what must have been a disturbing sight. There I was hunched over the antique table in the corner, my neck craned, chin resting on the black oilcloth covering.

My left ear was pressed against the dark brown Bakelite speaker grill of our old Emerson table radio. (This radio, now a collector's item, had no digital this or electronic that, just one knob for on/off and volume, and another for tuning.) My right hand, reaching around my head, was on the tuning dial. With my thumb and middle finger grasping the knob delicately, and other fingers extended, I might have been mistaken for a veteran safecracker.

Illustration: Katy Farina

You have to understand that our little community of Franconia, while an absolute wonderland for adventurous kids by day, offered very little to do at night, except for maybe playing games or reading. That night, I was demonstrating my usual disdain for such pastimes in favor of some kind—any kind—of firsthand adventure.

Some nights would deliver a “perfect storm” 
of radio waves to that little Emerson.

A TENTATIVE RECEPTION
If I’d had a name for it, I guess what my mom walked in on would have been called “the fine tuning game.” I’d discovered that, on certain nights, the river valley acted as a conduit, channeling radio waves from great distances. Add clear skies and a phenomenon called “skip”—in which the waves are prevented from dissipating in the atmosphere by some stratum or another—and the night would deliver a “perfect storm” of radio waves to that little Emerson.

I’d start turning the tuning knob and, bypassing the clear, strong stations, listen for the faintest signal I could make out. This took a delicate touch; I had to be ready to adjust the volume too, since reception of those far-away stations would fade in and out. My ultimate goal was to see if I could hear a station break while the signal was strong enough to recognize the station’s location or call letters. (Of course, my chances would spike on the hour and half-hour, when stations are required to give their IDs.)

A FIFTY-THOUSAND-WATT PASSION
Those faint voices brought down the walls of that dim, musty room. My little Emerson might as well have been some deep space receiver developed by NASA. How mysterious and wonderful to learn how far some of those radio waves had traveled to reach my ear. I imagined them as sheer curtains, undulating through a thousand miles or more of starry skies.

I wrote down the stations’ call letters and locations and kept a list. That summer I logged contacts from as far away as Texas, Arkansas, New York and Quebec. Some of the broadcasts were in Spanish or French, making them all the more exotic to my young ear.

I can now see what a rich metaphor for all 
kinds of discovery this fine-tuning game is.

WITH WHAT FREQUENCY DO YOU DISCOVER?
Reflecting on all of this, I can now see what a rich metaphor for all kinds of discovery this fine-tuning game is. Whether you’re listening, looking, feeling, tasting, reflecting or praying, aren't you just curious to know what’s out there?

How good are you at “listening between the stations?” Can you filter out the static and make out the underlying message? Do you have the patience to wait for something wonderful to happen? 

These questions never become obsolete.