Friday, September 7, 2018

LIFE AND LIMB – The Healing Embrace of a Cottonwood

Today I visited a dear old friend — one with many limbs and five trunks.

Years ago, during my recovery from neck surgery, I would take tentative walks around my Saint Anthony Park (St. Paul) neighborhood. Doctors orders.

Besides the therapeutic benefits of just walking, I found many healing influences on those outings, especially around the St. Paul campus of the University of Minnesota—the so-called ag campus. Among them, a certain cottonwood tree which, at first glance, appeared unremarkable.

        I would stand in that living enclosure...
        and feel blessed.

But as I walked past it, it spoke to me. Like so many cottonwoods, this one comprised multiple, distinct trunks. In this case, five of them arranged in a neat circle, each separated from the next by just a few inches of turf, leaving about a four-square-foot patch of ground in the middle.

I would step into that living enclosure, lean back against one of the massive members, and feel utterly enveloped in a force—a spirit—that made me feel blessed. I’m convinced that tree helped me heal.

For years after that lonely, painful period, I would stop every time I passed that tree, step inside, profess my gratitude and refresh my soul as I did that first time.

Flash forward to this morning. Our sweet little miniature schnauzer, Sylvia, remained in the throes of a nasty infection or poisoning of some sort. She’d been throwing up every few minutes for 36 hours with no end in sight. Yesterday I’d taken her to the University of Minnesota Veterinary Clinic’s emergency room to see if we could find out what was going on.

Sally and I have been consumed with worry about her. She’s so little, so helpless, so precious. Neither of us knows what we’d do if anything happened to our sweet little girl. Since Sally’s had to work these past two days, much of the burden of caring for her has fallen on me. I’m glad I'm able to do it, but it’s been an incredibly stressful and emotional time for me.

  I suggest the lack for them may lie not with the 
  trees’ capacity for communication but their own.

This morning, seeing no improvement in Sylvia, our concern grew still more acute. So she and I paid a second visit to the ER, where they did more tests and gave her some sub-cutaneous fluids and an anti-nausea injection. It seemed to help right away. Guardedly, I felt the first ripples of relief.

As we’re driving home I notice we’re passing the block where that old cottonwood used to live. I look to my left and there it is. I pull over, put my flashers on, and walk over to it as if greeting a dear old friend. Then I notice. One of its trunks is gone, apparently the victim of thunderstorm winds. 

Somehow I sense we understand each other's vulnerability. Once again, I step into that knowing embrace. And again I feel its acknowledgement, its grace, undiminished despite the amputation.


I look up at the wrinkled fingers of the enormous hand that's holding me. A deep breath upends the anxiety that's had its foot on my chest the past two days. All at once a wave of emotions crests over me: relief that sweet Sylvia’s responding to treatment; the joy of having this precious creature in my life; and gratitude for the deep blessing Nature bestows on all who will let it.

A tree that understands and communicates? I know some may find that pretty flaky. But I suggest the lack for them may lie not with the trees’ capacity for communication but their own.


UPDATE: A day later, as I finish this reflection, Sylvia’s still not out of the woods. The anti-emetic is keeping her from vomiting, but this morning just before she was due for her second dose, she was again retching. We can only hope and pray the vet’s best guess—that it’s a viral infection—is right, and that it will soon give up the ghost.
Meanwhile, I may just go back for another session of my arboreal anti-anxiety treatment.
SECOND UPDATE: It's now a week since Sylvia showed the first symptoms of her illness. And I'm delighted to report that she's back to her wonderful, normal self. Thanks to all for your good wishes for her!

Saturday, September 1, 2018

THE SOUND OF MOONLIGHT – Sensing the Pulse of a Late-Summer Night

I’m inspired today by naturalist Jim Gilbert’s column in yesterday's Minneapolis Star Tribune. It’s about crickets, specifically the ones whose effervescent chee-chee-chee chorus bejewels these precious late-summer nights.

I’ve wondered about crickets my whole life. Not that I’ve done much about it. Mostly, as with so many of Nature’s ubiquitous small wonders, I’ve come to take their amiable background music pretty much for granted. I should do better.

One question I do ask myself is, is this really crickets I’m hearing, or might it be tree frogs? Here in east-central Minnesota, though spring peeper frogs sound quite similar to crickets, they generally sing only—as the name suggests—in the spring or early summer. Crickets are harbingers of late summer.

There’s also a difference in the quality of sound emanating from the two singers. Frog voices are a series of smooth notes ranging from sharp, bell-like dings to longer whistles, each one rising slightly. Cricket chirrs, on the other hand, because they're produced by rubbing its upper, serrated wings rapidly together, have a high-pitched grating quality and maintain nearly the same tone throughout each note.*
        House and field crickets are known
        more as soloists than choristers.

Another question: are these night-chorus crickets the same ones folks are used to finding in their homes? You know, the stocky mostly black or brown ones thought by many to bring good fortune? Not likely. Those are either house or field crickets known more as soloists than choristers.

The most common of our night-singing crickets here in the Twin Cities is the snowy tree cricket. They’re delicately built and mostly green.

             Listen to the Snowy Tree Cricket Sound

Snowy tree crickets definitely sing en masse—though just the males. With their individual songs blending into what sounds like one pulsing strain, it’s hard to tell whether there’s dozens or hundreds of the critters…or just one really big one.

Tree crickets are the ones thought to gauge the air temperature through the rhythm of their song. (Just count the number of pulses in 13 seconds, then add 40 to find the temperature in degrees Fahrenheit. By the way, I tried this last night and they were spot-on!)

    Here is a tweet we can—and must—believe.

Enough with the phenology. Though the facts are fascinating, I’m also moved by the intangible qualities of this summer-nightly cricket chorus. The peacefulness. The poetic possibilities. The reassurance, with this sweet sound’s constancy in my life, that somehow everything must be okay. That perhaps there is still hope for my own species…for this world.

And, certainly, as sinister forces do their damnedest to render suspect so much of what we once knew to be good and true, here is a tweet we can—and must— believe. If we're to save this precious planet from ourselves, we must notice tiny creatures like this, know their names, care about their well-being.

So are you as moved as I am to tune in your senses to cricket sounds? Why don’t we listen first to the whole ensemble, then zero in on one individual, track it down and shine a flashlight on it. Say hello to this incredible little performer. Thank it for the constant reminder of Nature’s astounding, eternally fragile beauty.

Let’s do it tonight!

   If moonlight could be heard, it would sound just like (crickets).

* Cricket song is a result of stridulation, an insect’s rubbing particular body parts, called stridulatory organs, together to produce sound.

Saturday, August 18, 2018

ONE SQUARE INCH OF SILENCE – Hearing the Whisper of Nature

The other day I listened to an NPR interview* with Matt Mikkelsen, an audio technician and recording specialist with the nonprofit One Square Inch of Silence.** The organization was founded by Mikkelsen’s mentor, audio ecologist Gordon Hempton.

Mikkelsen points out that, sadly, there are fewer than ten places left in the U.S. where one can spend 15 minutes without hearing a single man-made sound.

IMAGE: U.S. Forest Service

This doesn’t surprise me, and it makes me quite sad.

      He saw that expansive spot of quietude as    
      powerful enough to affect entire ecosystems.

Tuning in after the piece was well along, I thought at first that the challenge had been to find an area of ground as represented by a square inch on a map. But the real concept may not be that much different.

Hempton felt that if one could find a mere square inch of actual ground where true silence survives, the effect of that tiny locus would surely radiate out for a considerable distance—miles, in fact—all around. He saw that expansive spot of quietude as powerful enough to affect entire ecosystems.

Symbolically, he located one such spot, in the Hoh Rain Forest in Washington's Olympic National Park, and marked it with a single, approximately one-inch stone which he’d painted red.

PHOTO: Wikipedia

For the interview, Mikkelsen led writer Samir S. Patel to the spot. As they approached it, Patel was urged not to speak. He was first to spot the red rock.

PHOTO: Amanda Castleman
Then Mikkelsen left him alone in the silence. For an hour. And the effect on him was quite amazing. He soaked in the pure beauty all around. He reflected on the recent death of a loved one. He felt both utterly insignificant and all-powerful at the same time. A profound sense of gratitude moved him to tears.

I suppose it takes a certain kind of person to open himself to that kind of affect. For listening is about not just what you hear, but how you hear. Like other kinds of sensing, real listening is an act of generosity.

In this age of constant stimulus, instant gratification and seamless interconnectedness, such moments are indeed rare, and it’s hard to see how they won’t soon vanish entirely from the human experience.

All the more reason to resist the brazen, visionless oligarchy that’s overthrown our great nation—a nation characterized as much by its traditional affinity for wilderness as by its constitution—and is evidently bent on appropriating every inch of public land for private gain.

       My fear turned to a prayer, and I knew
       I was getting reacquainted with my inner 


I encountered my one square inch of silence in Minnesota’s precious Boundary Waters Canoe Area Wilderness about 30 years ago while on a solo canoe trip.

My second night out, I lay in my tent immersed in both total darkness and utter silence. My ears probed, like a sweeping radar dish, for some sound—an insect, a breaking wave, a whisper of air through pine needles, anything. It’s hard to describe if you haven’t experienced it, but the depth of that silence caused my brain to invent a sort of roar.

That deafening void, the sense of alone-ness, was so profound, my mind even stumbled into thoughts of possibly not being able to stand it. I mean was it even safe to be so completely alone?

It took me a few minutes to realize that, as anxious as I may have been to hear the sound of a human voice, its absence had put me in touch with other voices, ones ever fewer of us are privileged to hear any more. My fear turned to a prayer, and I knew I was getting reacquainted with my inner strength.

I awoke the next morning at first light, not sure what it was that had roused me. I was still shrouded in stillness. As my senses tried to get their bearings, I wondered if the eerie noise I was hearing was another imaginary one. A chill rattled me as I realized it was a pack of wolves, awakening with me and musically greeting their day on the other side of the bay.

Would that sound have affected me that way if it hadn’t emerged out of total silence? Would I still have let it feed my inner strength? I don’t think so.

So when was the last time you experienced 15 minutes listening to the unadulterated, calmly-empowering voice of Nature? Has it happened even once? If it has, I’m guessing you remember it well and invite you to share it here.

I also urge you to speak up in protecting those precious gifts a couple of generations of wise and prescient Americans chose to set aside for all future generations: our National Parks,*** where most of the nation's remaining square inches of silence tenuously survive.




Saturday, June 23, 2018

HURLING CAUTION TO THE WIND – My Entry in the Seasickness Horror Story Contest

Few topics are so sure to breathe life into stale cocktail-party chitchat as these: tornadoes, nightmare bosses, cockroaches…

…and seasickness.

I first realized I was prone to motion sickness when, at the age of nine, my parents took me and my brother to Mexico. As our driver, Jorge, wound his way up into the hills west of Mexico City, I started getting queasy. Before long I was hunched over by the side of the road—vehicles with whole families in them slowed to get a better look—heaving my guts out.

I stumbled back into the back seat. Dad assured me I’d be more comfortable if I kept my eyes on the horizon instead of reading or playing games with my brother. He was right.

With that lesson in mind, I’ve suffered very few recurrences of my car-sickness.

     I wasn’t even aware of any motion. After all,
     we were on a river…and still at the dock.

In boats, though, it’s a different story. No amount of fresh air or horizon fixation can spare me the ravages of seasickness. It’s so bad that I once got sick aboard a large, double-decker excursion boat on the tranquil, glass-smooth Illinois River.

It was a wedding reception. I’d just boarded, walked up to the top, open-air deck, and was enjoying my first drink when I first noticed the signs. I wasn’t even aware of any motion. After all, we were on a river…and still at the dock.

But sure enough, as I looked overboard down the side of the boat, I could see she was rocking ever so slightly against the pilings—apparently the tag ends of swells were working their way up the river from Lake Michigan. I don’t think it was more than a couple of inches, but it was enough. I got off, watched them pull away and spent the rest of the sightseeing cruise lying on a park bench.

          It sounded like the hull would surely
          splinter from the pounding.

The worst episode I’ve experienced—one that usually does quite well in the inevitable, “oh, that’s nothing, I….” contest at a cocktail party—occurred on North Carolina’s Pamlico Sound.

I’d been sailing for several days with my girlfriend, her brother and his wife, heading northeast along the Inland Waterway from Camp Lejeune to the charming Outer Banks town of Ocracoke. There we docked and spent a lovely afternoon, intending to head back the way we came the next morning.

But overnight, a big storm rolled in. At 8:00 AM, trying to cast off from the pier, we simply couldn’t budge the boat, held fast against the bumpers by the steady wind. Just up the bay was the Coast Guard station whose double-triangle flags informed us we were in the grip of a gale—meaning winds ranged from 39 to 54 miles per hour. We weren’t going anywhere.

The second morning, despite the continuing force-seven winds, our skipper, a Marine Corps officer, declared he absolutely had to get back to Camp Lejeune that day. So, soliciting help from the crews of nearby boats, we managed to separate ourselves from the dock and set sail—well reefed—across the 30-mile-wide Pamlico Sound for the mainland.

Even knowing we’d be on the Inland Waterway our whole trip, I’d been smart enough to bring Dramamine. So, half an hour before we left Ocracoke, I’d taken a full 100-mg. dose. Once beyond the relative shelter of the harbor, the boat was lifted ten to twelve feet on each wave crest only to plunge thunderously into the following trough. It sounded like the hull would surely splinter from the pounding.

And it was abundantly clear the Dramamine was not going to work.

Because Pamlico’s quite a shallow body of water for its width, the normal rolling swell from a storm there builds into taller, sharper waves, many of which actually break. I could barely hold my footing to vomit over the side, and, after I thought I’d emptied my stomach, I went below decks to lie down.

But that was just the beginning of my ordeal. My girlfriend had been thoughtful enough to bring me a plastic bucket. I don’t think she realized it was the boat’s bilge bucket, and that it reeked of diesel fuel. This, of course, triggered yet another bout of heaving, by now nearly dry.

The dry heaves continued unabated for another four-and-a-half hours, easing only when we finally motored into the marina. It took a full day before I started feeling normal again.

It was many years before I once again dared going to sea. My incentive: you can’t catch a marlin from shore. The reason it was even possible: my discovery of “the patch”—the transdermal version of the drug scopolamine (hyoscene).

I put a patch on that little bump of bone right behind my ear about an hour before hitting the water, and I’m good to go. In fact, the medication in one patch keeps reminding my inner ear that it’s on secure footing for three days. The only side effect for me is an all-day case of dry mouth.

Okay, now I’ll open myself up to a little of that one-upmanship. What’s your worst motion sickness horror story? Leave a comment here or lay it on me on Facebook.

Friday, June 8, 2018

WHAT’S GOING AROUND HERE? / Curious Things That Spin

What does a tequila bottle have to do with spinning?
More than you might imagine; read on...

Ok, a little free-association game: What first comes to mind when you hear the word “spin? For me, it’s spin the bottle, that mortifying little kissing game we played as kids.

Now if you were to approach this a little differently, the question might be, what’s the first thing a kid would think of to play with a glass bottle? Knock it over? Fill it with water or sand? Mold mud around it? But spin it?

Turns out there are all kinds of things that spin, including many you’d never think of unless—like the incurable kid that endures deep inside all of us—you just try them.

Among my most spectacular spinning discoveries:

THE LID OF MY FAVORITE SAUCEPAN – We have this one stainless steel pan—I’ve had it for forty-plus years—whose lid nestles nicely into a channel around the rim. When something’s simmering in that pan the escaping steam turns the lid into a sort of hovercraft; when I rotate the knob, the whole thing turns nearly frictionlessly, riding on the steam and lubricated by a coating of water in the channel. My record so far: 18 seconds.

– A friend recently gave me a bottle of Trader Joe’s tequila. Now I’ve emptied my share of exquisitely-designed tequila bottles, but my focus is normally on what’s inside.

That can change, however, when one has consumed a few caballitos of the stuff. With the Trader Joe’s nectar, what ultimately grabbed my inner child’s attention was the simple, pleasant-to-handle cork-and-wooden-ball stopper.

While chatting one night, I was idly fiddling with that stopper, and just happened to put it, knob down, on the counter and torque the cork as if I were spinning a top.

Not surprisingly, it did spin, but what I wasn’t ready for was just how well, how long and, well, how comically. (Be sure to watch till the thing stops moving.)


– I eat ridiculous quantities of yogurt. One day I took off the translucent plastic lid of a Dannon 32-ounce tub and set it down on the counter. I guess I must have glanced the edge of it while reaching for a bowl. It rotated quite easily. I tried it again, this time with more intention, and it kept going for well over 30 seconds.

My guess is that these lids are injection molded. One result of that process is a little nipple of plastic jutting up in the exact center of the circle. The thing is so precisely made, so perfectly balanced, that when the lid spins on that axis, its outer rim barely touches the counter. With so little friction, it just keeps going and going…and going.

So what spinning oddities have you discovered? Keep you eyes open and your 10-year-old’s appetite for play well whet and chances are you’ll come across a few possibilities.

Then, go ahead, just give it a whirl!

Tuesday, May 22, 2018


It’s my first day this still-young spring/summer out in my canoe on the lovely
St. Croix River.

I love hitting the water on weekdays like this when fewer people are out here. Today, I’ve seen fewer than a dozen, most in quiet canoes and kayaks. Much of the time, there’s no one in sight—in fact, no sign this couldn’t be a mid-May day a century or two ago.

How liberating it is, how celebratory of life’s sweet privilege, flipping my trusty old Mansfield down to the water, stepping in and paddling away. I think I feel more comfortable, more competent, handling this little wooden canoe in the water than
I do walking on dry land. That’s how much at home I feel here.

Clumps of grass and other flotsam drape like Spanish moss from trees overhanging the bank. The highest of them bring to mind the image of waters, perhaps just a month ago, swirling six feet over my head. But today’s water level is perfect—low enough to expose a few small sand beaches and bars; high enough to afford access to shallow backwaters.

Today’s cast of characters out here is pretty much the same as when I plied these waters as a boy: great blue herons, bald eagles, beavers, muskrats, turtles, clams and scores of other critters seen and unseen. I wonder how many are direct descendants, perhaps eight or more generations removed, of the very beings I communed with back then.

All afternoon I’m buffeted by gusty southerly winds. Even against the current they nudge me upstream with ease. (Heading back again will be a different story.) The wind makes fishing a challenge; I’m barely able to get in one cast at some targets before being blown out of range. At this rate, I could probably just let my line out and troll without paddling a stroke.

Just the second cast of my Mepps buck-tail spinner fools a forearm-sized northern pike.
A nuisance really, but I can’t just horse it in on my ultralight spinning gear. If smallmouth bass are the grab-and-run foxes of the game- fish world, pike are the ravenous wolves. This one, like most, has engulfed my lure, which sits deep in its mouth, past rows of needle-
sharp teeth.
I’ve developed something like a surgical protocol for this clash point between my love of this sport and my empathy for the fish. Jaw clamp, mouth spreader and forceps working in tandem, I reach in and jiggle free the hooks. If that takes more than a minute or so, I perform the closest thing I know to pike CPR, moving the fish back and forth in the water to force water through its gills. I hold it till it swims away—the more angrily, the better.

               It both pleases and concerns me
               that the beaver’s not alarmed.

Heading into my favorite meandering slough, I escape much of the wind. As I coax my canoe around the first bend I’m aware of a presence. Twenty yards to my left, a young beaver lumbers unbothered down the bank and into its element. I anticipate the instinctual tail slap and dive.

Instead, the wet, furry lump swims toward me and then weaves side to side among felled branches, eyeing, at what seems little more than arms' length, what he must take as one strange vertical creature astride some kind of huge green turtle. It both pleases and concerns me that he’s not alarmed.

Muskrats, too, glide along the shore, some with mouthfuls of soft green grass to feather their nests. They take little interest in me. Mosquitoes, however, do. Even in broad daylight, even with a decent breeze, they’re out. I can handle a few, but this doesn’t bode well for my tender skin come dusk.

Working the rocky shoreline with well-placed casts, I hook up with several more voracious pike. I’m beginning to see this as another in a string of signs I’ve noticed over the past few years that the cold streams and springs feeding this river may no longer be up to the task of keeping it a cool-water habitat.

Like the growing numbers of large-mouth bass and sunfish I’ve been catching recently. These are warm-water species, ones one associates with weedy, bathwater lakes, not clear, free-flowing rivers.

But then I tie into a dapper, foot-long smallie, with those distinctive dark rays emanating back from its reddish eye…and then another…and another—this last one a real test for my four-pound-test monofilament. I’m encouraged, for I fear the disappearance of these handsome fish could signal the end of the St. Croix as I’ve always known it.

I’m spotting lots of waterfowl today: Canada geese and several strains of ducks. I try not to look threatening, but the geese posture and scold me anyway as I glide past, Then I notice the trains of little flaxen feather balls traipsing behind each pair. I hope they’ll be safe tonight as hungry coyotes prowl.

    Soon there are five voices—each distinct 
    in tone and cadence—wrapping me in their 
    haunting refrain.

As sure as gravity, the hours have pulled the sun down into the treetops, and I begin wending my way slowly back the way I came.

Dusk’s gradual descent has sapped the wind. I picture the air as a liquid, slowing, cooling, settling in pools throughout the woods around me. Now every sound is caught and amplified in its thick stillness.

The rhythmic anthem of a barred owl stirs that fertile air to my left. I do my best to answer, and another owl joins the chorus from my right. I continue my feeble imitation and soon there are five voices—each slightly different in tone and cadence—wrapping me in their haunting refrain.


I have—albeit rarely—heard loons on the St. Croix, but they’re not typical of the soundscape here. These owls, though, with their characteristic eight-note lament, come pretty close in their chilling, exotic effect.

On that sublime note, I’m ready to head back up to the Franconia landing and home. Now, with the cooling air concentrating the heat and carbon dioxide I exude, the mozzies have caught a whiff and are on me in force. I’ve not seem them this thick—or this big—for years. Before running the gauntlet, I break out my new Repel lemon-eucalyptus repellent.

I’m anxious to see how this botanical formula compares with the more controversial DEET-based repellents I’ve used. Sure enough, the pleasant-smelling stuff manages to keep the little buggers off, but just barely. Still, they swarm around me, hovering barely an inch from my skin. It’s all I can do not to inhale them. I wonder how other animals, without the benefit of chemicals or hands, cope with this version of death by a thousand cuts.

As I approach that last bend before river’s main channel, there’s Mr. Beaver again, atop a log perch. This time, he barely looks up from his green-willow supper. I extend my silent thanks—and, I hope, a blessing—to him and the other gentle beings I’ve met today. After all, this is their house, and I’ve been merely their guest.

I hope it’s not presumptuous to say I’ll be back.

Wednesday, May 16, 2018

INTERSECTIONS – Where Intention and Magic Meet

As I continue exploring my inner and outer worlds for glimpses of what’s real, important and true, it dawns on me how much of significance in my life occurs at its intersections.

I see intersections as those times, places, events or states of mind at which whatever personal and/or spiritual energy we manifest coincides with that of other people or that of the Cosmos. This can and does happen accidentally, but it also happens deliberately.

Without getting all “new agey” on you, I do believe that many good things happen accidentally, but that we can cultivate this karma—if only we could stop trying so hard to make what we want happen...and simply let it happen.

James Redfield, author of the groundbreaking 1993 novel, The Celestine Prophecy, says it quite well:
"For centuries, religious scriptures, poems, and philosophies have pointed to a latent power of mind within all of us that mysteriously helps to affect what occurs in the future. It has been called faith power, positive thinking, and the power of prayer. We are now taking this power seriously enough to bring a fuller knowledge of it into public awareness. We are finding that (it) is a field of intention, which moves out from us and can be extended and strengthened, especially when we connect with others in a common vision."

Redfield refers to coincidence as the opening of doors. He says that when we are at our best—operating from our most secure, creative, aware inner cores—we give off a sort of cosmic “aura” of energy that everyone and every thing responds to, and that this causes those doors of opportunity to open spontaneously. For example, he describes how often, while searching for something—an idea, an inspiration or something more tangible like an ally or even just some help—that very gift has miraculously presented itself to him.

Another brilliant proponent of tapping the interconnectivity of the Universe for what we want and need is the great comic actor Jim Carrey. Carrey feels each of us creates our own universe, one in which faith is infinitely more powerful than hope.

He describes that faith brilliantly in a college graduation address he delivered a few years ago. Here's a link to some excerpts:  Maharishi University Speech 

     You sincerely put what you want out there
     for the Universe to digest, and it conspires
     with your own best efforts to make it happen.

So, are these just the Utopian ramblings of an eccentric man with the luxury of being able to ponder the metaphysical? Jim Carrey—and I, for that matter—are indeed so lucky. But to dismiss as idle whimsy our shared belief that celestial providence aligns many of the intersections in our lives is simply a denial of how things really work.

In our business and professional lives, success is most certainly all about intersections, about recognizing opening doors. Any successful  enterprise has to think long and hard about where its values and interests will intersect with those of their constituent/customers—both at the organizational level and personally. The best of them constantly look  to distinguish themselves by anticipating the future and being first to step through doorways that lead there.

And in personal relationships, even within the bonds of family life, being aware and responsive to some degree of serendipity is not only practical, it makes us kinder, gentler people, and the world a better place. You sincerely put what you want out there for the Universe to digest, and it conspires with your own best efforts to make it happen.

Many of the world’s most successful, inspirational people follow this mantra whether they realize it or not. Sure, a few fat-cat business moguls may eschew the Redfield or Carrey cosmic, touchy-feely interpretation, but you can bet they do believe in the power of having a vision and never letting go. Same thing.

       If one should happen to summon some
       players and powers from beyond the veil
       of earthly "reality," so much the better.

The 90-something mother of my friend, Charlie, posthumously, in her self-written memorial service, noted her belief that human beings—at least those of us open to the possibility—regularly encounter “thin spots” in the self-made barrier between our largely mundane daily busy-ness and other, more transcendental realities.

As a minister, Molly felt it was her job to encourage people’s awareness of those convergences, because, among other reasons, they are “good places to find God.”

Have you ever experienced one of those thin spots in your life? A place where different dimensions of reality inexplicably merge? Did you have any sense of being in the presence of your higher power?

Whatever our own hopes and aspirations, each of us should be in the business of helping other people also achieve theirs. I suggest that if we keep our eyes and hearts open for opportunities to do this—the opening doors, the thin spots—not only others’ dreams, but our own—and everything else that’s important—fall into place.

And if, along the way, one should happen to summon some players and powers from beyond the veil of earthly "reality," so much the better.

“So many of us choose our path out of fear disguised as practicality. What we really want seems impossibly out of reach so we never dare to ask the universe for it. I’m the proof that you can ask the universe for it.” ~ JIM CARREY