Sunday, October 19, 2014

LANDSCAPES

When I converse with Nature, just as when I converse with people, perspective is everything. Close up, I can see the pores and the warts; far away, details start to blend together, and the subject becomes shape, pattern and movement.

Perhaps this is why I so appreciate a beautiful landscape. Both broad and deep in its scope, the view rolls out in a seamless progression of receding layers all the way to the horizon…and beyond. It always fills me with wonder and gratitude.


But something's been happening to our landscapes, something that's occurred in just the last generation or two. Fewer and fewer of us—most glaringly, fewer of those under thirty—seem able to find one any more. Part of it is that such unbroken stretches of unspoiled land are disappearing. If a housing development hasn't obliterated the view altogether, a highway, power line or cell phone tower stains it.

But as I so often preach, seeing is a two-way street. It doesn't have to do with just the quality of what's being looked it; it also has to do with the looker. And that we can do something about.

   These mental eyesores are about as unwelcome 
   as a frac sand mine in Eden.

EYE OF THE BEHOLDER
A panorama might have all the qualities you could ever want in a vista—all those sublime strata of terrain, foliage and sky, unmarred by any trace of man's meddling. Maybe a lake or river graces the scene. If you're lucky, a tired sun pours that last, precious, liquid-gold light over hill and dale.

As ideal as it sounds, that picture can still be marred. This time, though, the defacement occurs at the other end of the exchange—in the eye of the beholder. The rude blurting of my cell phone blocks my view; cynicism slashes the canvas; concerns with time or responsibility dog-ear the corners.


Whatever the culprit, these mental eyesores are about as unwelcome as a frac sand mine in Eden.

Think of it as one's state of mind being his or her internal landscape. I see more, reflect more, learn more when that inner view spreads out all around me as if I stood atop a mountain. And anything that spoils that sensual, spiritual space ruins not just my mental outlook but my woods-and-rocks-and-waters view as well.

It all comes down to my belief that we see pretty much what we want to see.

   The view starts deep in my soul and extends, 
   simultaneously, to both earth’s horizon and  
   that of my deepest internal knowing.

To understand this in the context of my pantheistic view of the world, it helps if I see the inner and outer views as one entity, one continuous vista that starts deep in my soul and extends, simultaneously, to both earth’s horizon and that of my deepest internal knowing.

WHAT'S YOUR VIEW?

Where does your outer landscape end and your inner one begin? Are you aware of how they overlap? Can you feel your ability to appreciate the view improve when you clear your mind and spirit of distractions? How do you do that?


Sunday, October 5, 2014

THE QUEST FOR UNCERTAINTY – Why Wondering Is More Powerful than Being Right


Don’t get me wrong; I truly envy some people for their clarity of thought. I often wish I were more decisive, that I could be sure enough about a decision or an issue, right away, to be willing to go to bat for or against it.

For as long as I can remember, I’ve thought of my reticence as a handicap. But in the past decade or so, at last, I’ve found a way to free myself of that burden; I’ve decided it’s actually one of my greatest strengths.

          Isn’t the brew of consequence richer, 
          more robust, when one lets facts and 
          feelings percolate for a while?

After all, I’m thinking, isn’t the world a more interesting place when the conversation doesn’t necessarily end at one person’s version of the truth? Isn’t the brew of consequence richer, more robust, when one lets facts and feelings percolate for a while? Isn’t genuine understanding better served when for every ideologue there’s a skeptic; for every answer, a question; for every teacher, a student?

I guess I can’t stop being the student. And I'm pretty sure that’s okay.


          The more I learn, the more certain I am 

          that I don’t know everything.

Learning’s a funny thing. For many people, it seems it’s just the means to an end. You learn so you can know; you know so you don’t have to listen to anyone any more. Not me. The more I learn, the more certain I am that I don’t know everything…and the harder I listen. For me, asking questions, keeping open the door to curiosity and wonder, is more powerful than being right.

Of course, I understand that much of modern life revolves around having answers. Sometimes one must act on those answers—the best ones possible given constraints of time and resources. But I keep thinking how much of the human experience, spanning nearly every culture, hinges not so much on whether or not those answers are the right ones, as on some clever person’s ability to make you think they are. There must be a better way.

       Isn’t there a kind of abundance in knowing 
       that all the possible conclusions are still 
       out there for you?

Giving myself permission to be ambivalent has been liberating. Ironically, it seems to have actually emboldened my thinking in a way. Not that I make decisions any more easily; but I’m coming more and more to not just tolerate, but actually celebrate the knowledge that absolutely nothing—including this statement—is absolute. It all depends on how I look at it—the lens of my experience; the filter of my judgement; the lightings and shadings of my emotions.

Besides that sense of liberation, isn’t there a kind of abundance in being slow to judge, in knowing that all the possible conclusions are still out there for you? Come on, isn't there at least a small part of you that pities those who so quickly limit their prospects to just one outcome, one reality?

                                         ~         ~         ~

I’m interested in your take on this. How certain are you, at your core, of decisions you make? Does having to know something for sure ever feel like a constraint on your intelligence and creativity? Do you catch yourself turning off your curiosity in order to protect your certainty?

Moral certainty is always a sign of cultural inferiority. The more uncivilized the man, the surer he is that he knows precisely what is right and wrong.
  ~  H.L. MENCKEN

Monday, September 29, 2014

FOR DEAR LIFE – The Tree that Survived 9/11


The Discovery Channel's documentary series, “Rising: Rebuilding Ground Zero,” recounts some of the countless captivating back-stories surrounding 9/11. One episode, re-aired recently on the thirteenth anniversary of event, has made an especially deep impression on me.

After weeks of clearing away the 1.4 million tons of debris from the vicinity of the World Trade Center towers, workers unearthed a living survivor of the horror—a bruised, beaten and burned, 30-year-old callery pear tree.

   It was the last thing to leave Ground Zero alive.

PHOTO: New York City Department of Parks and Recreation

In a long-shot effort to save the mangled tree, a horticulturalist for the Parks Department had it removed and carefully transplanted in a nursery in the Bronx, where it remained in obscurity for nine years. This was not just the only one of many trees on the WTC site not pulverized by the force of the collapses; it was the last thing to leave Ground Zero alive.

Meanwhile, Ronaldo Vega, another city worker and one of the thousands enlisted to help bring equipment and supplies to Ground Zero after the tragedy, reported faithfully to the site every day, doing what he could to help bring closure to the nightmare and honor the memory of its victims.

Vega never missed a day. He was so committed to the site that he eventually was named the 9/11 Memorial’s Director of Design and Construction. As concepts for the Memorial percolated, he heard about the intrepid pear tree, and was immediately smitten by the power of its symbolism. He wanted that tree.

It took Vega six weeks to find out what had happened to it. In March, 2008, he went to the nursery and got his first look at what he now referred to as the Survivor Tree; it was in full bloom. From that moment, the tree would become the focus of his passion for the Ground Zero site, and he vowed it would occupy a prominent spot in the Memorial’s design.

But the challenges weren’t over for the tree. No sooner had Vega seen it flourishing, than it was torn nearly in half by the 100-mile-per-hour winds of a huge nor’easter. Nursed once again back to health, it was finally moved into place on the 9/11 Memorial Plaza in 2010, where, just nine months later, it managed to hold on through Hurricane Irene.

PHOTO: Noel Y.C.

IF IT'S THE LAST THING...
Now, the story of the Survival Tree is dramatic enough. But that is a matter of cellular biology, phytochemistry and perhaps a bit of luck. What leapt off the screen for me in this documentary was the story of Mr. Vega himself. That, my friends, is a story of heart.

Though it’s difficult to find much written about Vega’s personal challenges, one can piece together the narrative. As a first responder and a denizen of Ground Zero every day for 13 years, he was exposed to no end of toxic particles and vapors. At 55, he’s got triple the maximum levels of arsenic and mercury in his body, and suffers disease of the liver, lungs, sinuses, blood and skin.

Like so many workers on the site, the exposure is killing Ron Vega. Yet life has never been more fulfilling for him. “There’s certain things you decide in your life what's worth it and what's not worth it. Working at Ground Zero was worth it, was worth it whatever comes," he says.

     The Survivor Tree has the power to steer us        
     to those places of body, mind and spirit where 
     we were always meant to be.

The tree has become the most important part of Vega’s life. He suggests, in one interview, that his devotion to it has supplanted other relationships and responsibili- ties—those of home and family and friends—to the detriment of all. But he is consumed by the depth of meaning this one organism holds for him, how it "speaks to both the horror and the healing" of the tragedy.

I take the significance a step further; the way I’d put it, the Survivor Tree represents the sheer power of Nature to sooth, to heal, and to steer us to those places of body, mind and spirit where we were always meant to be. I suspect Ron Vega's discovered that truth and realizes, as precious few others can, exactly what the journey is worth to him.


PHOTO: Discovery Channel

A TESTAMENT TO LOVE
I’ve not yet been to the 9/11 Memorial, but it looks like the most stunning American monument since Maya Lin's rend-the-earth design for the Vietnam Veterans' Memorial. Its two square waterfalls surround the footprints of the twin towers in whispers of remembrance. Outlining each are bronze parapets engraved with the names of each of the 2,983 victims of the 9/11 attacks.

PHOTO: AP/Mark Lennihan.

These waterfalls and pools represent the voids left in human lives and in the hearts of a city and a nation. And around them stand other powerful symbols of the transformation that so often grows from the grief. One is the spectacular new buildings erected around the memorial site—including the new One World Trade Center, or Freedom Tower, built to exactly 1,776 feet in height. I guess they’re, at the very least, an understandable statement of defiance and pride.

The other symbol, one that holds a softer, yet more powerful, meaning for me, is the 400 swamp white oak and sweetgum trees, harvested in areas surrounding the sites of the three 9/11 crashes. These gifts of Nature also represent the hope and the unshakeable spirit of growth and renewal that define a city, a nation, a people.

And finally, how magnificent that Ronaldo Vega and his indomitable callery pear—the Survivor Tree—are there to represent the nexus of those two realms of remembrance. Theirs is, of all the symbols, perhaps the most powerfully personal and moving testament to the constancy, the splendid beauty, the healing promise of Nature.

For theirs is a testament to love.

PHOTO: Amal Chen/The Epoch Times


Wednesday, September 24, 2014

GREEN RIVER – Leafscapes of Change

         In one last gasp the thirsty land exclaims 
       in fervent hues, “Do not forget me, green!”


         These aerial views of summer’s wane are rich with meaning. 
           The landscapes speak of flow and ebb, growth and decay.


              Rivers of green recede from lands they’ve nourished, 
            lush and pliant, since May. Tributaries that coursed then 
             with new life now gather it, drain it back to the source. 
      Stream to brook to rivulet—all know in their cellular souls that, 
      here in northern climes, frozen flow hurts more than none at all.


         In between, red, orange and gold spread as on New England   
                 hillsides. In one last gasp the thirsty land exclaims 
                        in fervent hues, “Do not forget me, green!” 


                    In the end, flow slows to trickle; trickle, to seep, 
             and then is gone. Sere earth mottles, cracks and crumbles. 
        And decay’s fall brew percolates to nourish the land once again, 
                      stored up for yet another May flood of green.


Monday, September 15, 2014

WHEN NATURE SPEAKS – Echoes of Eternity

When Nature speaks, it’s for a reason. She's sharing things we need to hear—invitations, affirmations, lessons about truth, beauty, love and life.

While the human animal’s obsessed with how to stretch and bend her to create our own realities, Nature reminds us of one eternal reality, that everything is connected. Everything. That what we might fear in her we actually fear in ourselves. And that what we do to her we do to ourselves and others. 

What a joy our place in her should be, a position that, miraculously, both humbles us when we’re arrogant and ennobles us when we’re feeling unimportant.


BODY AND SOUL
Nature’s voice surrounds us, fills us, every day. She speaks to our minds, showing us immutable truths of how things always grow and move and interact. At the same time, she refreshes those ancient instincts that have always advised us on how to apply those truths. She tries as she can to show us both the portals and the boundaries of our intimacy.

            Only if we love her back will we 
            care enough to protect her as if 
            she were our own flesh and blood.

Sometimes the message is for our bodies, calling us to work with her, run with her, bask in her. She fills us with contentment, with exhilaration, and then reminds us that, while she may seem indefatigable, we are not.

Finally, she speaks to our hearts and our spirits, reminding us of our deep belonging to her. It is an unconditional love, that of the tenderest of gods, yet utterly indifferent to the values we humans have devised for ourselves—and so often fail to exemplify. 
 
WHAT TO SAY BACK
Don’t think for a moment that what Nature has to say to us has to be a monologue. In fact, there are many ways to hold up our end of the conversation. Perhaps the most obvious is through sound.

If we spot a beautiful bird—a cardinal, let’s say—we obviously can’t look like a cardinal; we can’t feel or taste or smell like one either. But we can sound like one. I do it all the time (and the cardinal nearly always comes closer).

When Nature calls us to our child side, we might answer her with playful cries and joyous laughter. Or we can welcome her accompaniment as we shuffle leaves, crunch acorns or splash water.

We can shout or clap our hands and listen as desert ignores, forest ponders or canyon mimics. Or we can offer Nature the one gift we have that might nearly rival birdsong and wolf call—our own voices in song.

                You know it's not really a 
                sound, but still you hear it.

THE SOUNDS OF SILENCE   
Can we converse with Nature through silence? Have you ever experienced true, total silence? I’ve done so only a few times in my life. It leaves an impression. At first your brain doesn’t quite know what to do without the foundation of at least some ambient sound.

It’s kind of like being in total darkness. It makes you dizzy. You can almost feel your ears reaching out, expanding, cupping to detect something, anything, to get a bearing on.

Then, like the way we try to fill the awkward lull in a conversation with an “um-m-m” or an “ah-h-h-h,” Nature comes up with her own space filler, a sort of dull roar. You know it's not really a sound, but still you hear it.

How curious that, while total silence may disorient, near-silence—especially that infused with Nature’s whispers of wind through trees, water over rocks, the jabber and scurry of life—is where, more than any place, you will hear the sound of your own spirit, that reassuring voice that reminds you of your unique part in the oneness of everything.


MISPLACED FEARS
This is an era in which too many of us humans seem to be getting it backwards in our attitude toward Nature. We've come to fear her more than we love her. We keep our young ones indoors where we can keep an eye on them. We discourage them from the kinds of adventures that defined our own childhood, but which we now somehow believe are too risky.

        In her voice are the echoes of everything 
        that ever lived...or ever will live.

If we truly listen, we know that the truth is a different matter. In fact it is Nature that should fear us. Once again, she’s telling us—and we should be listening—how we hurt her through our arrogance, our greed, our short-sightedness and, perhaps most tragically, through those poorly-informed fears.

Nature is as benevolent as she has ever been. And, in this era of virtual experiences and connections, her presence in our daily lives is needed more than ever. Depriving our children of her nurture, her teachings, her healing spirit, is hurting them—and us—in ways we are only now coming to document, and to a degree that far, far outweighs any actual risks.

FLESH AND BLOOD
So keep your ears peeled for Nature’s voice. It’s there, not just in the forest, but in the heart of the city. You can hear it in creatures’ voices, including our own. It comes from growth and movement—the raspy rattle of tree branches rubbing shoulders in the wind; water’s cheery chortle as it charms its way over and around hard rock. Some folks even hear the trees, the clouds, the land.

And only if we listen—truly listen with ears, hearts and souls open—will we learn about Nature and our belonging in her. For in her voice are the echoes of everything that ever lived...or ever will live. Then, only when we know and trust that eternal bond, will we be able to reciprocate her love. Only then will we know enough to protect her as if she were, indeed, our own flesh and blood.


Tuesday, September 9, 2014

HOW TO BE IN THE MOMENT – Tip #12

 TIP #12
Once in a while, look up.


You'd think this would be a no-brainer, wouldn't you? But, if you're at all like me, it's like breathing. You take it for granted; you forget that, occasionally, it needs your attention. Haven't you ever concentrated so much on something—you know, that body-and-soul concentration where you shut out everything around you?—that you realized you'd been forgetting to breathe?

Well, it's the same thing with looking up. We get so focused on what's right in front of our noses, or what's going on inside our heads, we forget that, of the 360-degree reach of our vision, about half of it—with all its wonders of wisp and wing, billow and beam—lies above eye level.

"A find is a terrible thing to waste."
   WITH APOLOGIES TO UNITED NEGRO COLLEGE FUND

Friday, August 29, 2014

LIFE AS A PALINDROME* – Why We Need Nature Both Coming and Going


My recent work as a hospice volunteer has me thinking more and more about life, and how wonderful it is, regardless of how quickly or slowly it may wind down, that the hospice movement focuses not on the process of dying, but on the process of living until one dies.

The difference may seem subtle, but for hospice patients it is not. One of the reasons I’ve always feared the idea of aging is that, nearly every time I’ve visited
a nursing home, no matter how nice the accoutrements, the residents seem so isolated, so stuck inside those cheesy-art-strewn walls with companions not of their choosing, so unplugged from Nature.

MIRROR IMAGE
Have you heard this comedy shtick—attributed to several sources—about why life really should be lived backwards?
“I think the most unfair thing about life is the way it ends. I mean, life is tough. It takes up a lot of your time. What do you get at the end of it? A death! What’s that, a bonus?
I think the life cycle is all backwards. You should die first, get it out of the way. Then you live in an old age home. You get kicked out when you’re too young, you get a gold watch, you go to work. You work for forty years until you’re young enough to enjoy your retirement!
You go to college, you do drugs, alcohol, you party, you have sex, you get ready for high school. You go to grade school, you become a kid, you play, you have no responsibilities, you become a little baby, you go back into the womb, you spend your last nine months floating…and you finish off as a gleam in somebody’s eye.” **
Isn’t that a wonderful notion? Why can’t life be more like that?

Of course, I can’t help but bring to this reflection my Nature-loving, quasi-pantheist point of view—that we come from Nature and, whether we’re smart enough to stay engaged with her throughout our lives or not, we inevitably go back to Nature.

  We’ve always been here and we always will be.

It's not exactly the scenario laid out in the comedy bit; there, even though that ideal life is reversed, it still has a beginning and an end. The advantage of my truth is that, far beyond our blink-of-an-eye, flesh-and-blood presence here on this blue-
green pinprick of light in the deep black fabric of the cosmos, we’ve always been here and we always will be.

As I suggest in my previous post here, The Stuff of Stars – What Every Human Wants—this amounts to nothing less than immortality. Not the fuzzy going-home-to-God-in-heaven version I was brought up with, but one that’s equally positive and, for me at least, considerably easier to believe.

NOT JUST FOR KIDS
These days, as the Children and Nature movement and its “Nature Deficit Disorder” diagnosis of screen-bound kids gain traction around the world, it’s easy to believe that Nature is most essential to human beings when they’re young. After all, they say it’s then—mostly before the age of five—that the essential building blocks of a healthy, happy life are laid down. And Nature is, indeed, a master mason.
 

In the U.S and many other cultures of the “developed” world, we then grow up, we tie ourselves to our work and our homes, and many of us forget what it was like to be one with Nature.

But if we could accept, for a minute, that the end of life is—or should be—the mirror image of its beginning, wouldn’t it make sense that Nature play as big a role in our health and happiness when we’re very old as when we were very young?

Take me outdoors...where Nature can replenish my soul with her perfect, timeless beauty and wisdom.

My hospice training urged us volunteers to bring with us to patient visits a “tool kit” of things to read, pictures to look at, music to listen to, perhaps a few games to play. And, depending on my patients’ particular likes, I will have those things.

But the most important device I will bring is the turning of a door knob. For it is only outdoors where all of one’s senses are brought to life at the same time, where a person whose horizon draws near is reassured, not just of being thoroughly in each moment, but of an essential sense of belonging—today, tomorrow, forever.

PHOTO: K. Nelson

COMING HOME
I hope with all my heart that this will be the case for me, that when I’m too feeble to easily get out and use my precious abilities to walk and climb and paddle, someone will be kind enough to lend me those capacities. Take me outdoors, with the animals and plants and moving air, where Nature can replenish my soul with her perfect, timeless beauty and wisdom.

The end of my life may not be, as the quote imagines, the gleam in my parents’ eyes, but I’m convinced I’ll see a much deeper intent, that of a benevolent universe, welcoming home, after his briefest of visits to this earthly life, one of its own.

* The word “palindrome” comes from the Greek
palin dromo, which means “running back again.”

** This bit has been attributed to George Carlin, Woody Allen, and even Andy Rooney, but there’s a pretty convincing case for its actually having been written (and performed on the
Tonight Show with Johnny Carson in the early ’80s) by lesser-known comedian Sean Morey. 

At any rate, I found this a particularly nice version of the life-backwards story, as it is audio-only—allowing one to conjure one’s own imagery. LIVING LIFE BACKWARDS